"Easy" By Joe Swanberg: True Sex And The City Series

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"Easy" By Joe Swanberg: True Sex And The City Series
"Easy" By Joe Swanberg: True Sex And The City Series

Video: "Easy" By Joe Swanberg: True Sex And The City Series

Video: EASY Final Season 3 | Official Trailer . Comedy, Romance, Drama Series 2019 HD Netflix 2022, November
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Netflix has released a miniseries one of the main directors of American independent cinema Joe Swanberg "Easy". These are eight half-hour novellas about sex and relationships in Chicago - married and divorced, single and starting new romances, young and mature men and women. There are not many events in each story, but their characters look incredibly fresh, real, honest and similar to us. They take risks, break up, perform on stage and make documentaries, work boring jobs, raise children, try new things in sex and try to fall in love. Finding out how Joe Swanberg managed to make a modern, smart and light series about the complexity of relationships.

At a party, 35-year-old husband and wife argue with close friends: Is it true that equality in marriage and redistribution of responsibilities kill passion? She works to provide for her family, he brings up children and performs on stage. She has sex toys, he has pornography late at night: masturbation relieves both of the awkwardness of body contact. This is how the first story of the series "Easy" begins. Usually, in American independent cinema, this alignment of forces means only one thing: soon children will be asked which parent they want to stay with. But in "Easy" there will be no tragedies, hysterics, stunning victories and global defeats, but each story will have an open ending, and the audience will have to decide for themselves whether a happy ending awaits the heroes.

In 2016, Swanberg is filming a series about contradictions that do not end the world, problems that are going to be solved, and how flaws do not diminish our chances of being loved. Easy is a show about happy people who find the strength to talk openly about what worries them - from sexual expectations to the fear of old age - or at least aspire to it. This is not the first time that this has happened on television and modern cinema, but for the first time it has been articulated so calmly and intelligibly. All eight Easy stories evoke a smile and a feeling of sincere and deep conversation with someone who cares about you.

First story. After 15 years of relationship, the couple decides to try costumes for sex on Halloween night - the neighbors are just looking after the children, which means that there is an hour or two to become a husband for an hour and a desperate housewife in fishnet stockings. Second story. A young girl suddenly starts dating another girl for herself. Her new partner is a lesbian, experimental movie fanatic, civic activist and vegan, she is delighted with how she can express her position. For the sake of this, she wants to change, and the heroine really tries to move around the city on a bike in the Chicago winter or give up her favorite pepperoni pizza. Third story. The older brother, a quiet one, works in an office at an unloved job with an excellent salary, and his wife is expecting a child. The younger brother, an adventurer and party-goer, encourages the elder to open an underground brewery in order to remember the past and get closer to families. The fourth story, filmed in Spanish. The Argentine couple is bored and trying to have a child: they moved into a new home, took out a loan, and walked hand in hand down the obvious middle-class path. Their mutual friend from the past suddenly comes to visit: he stays for several days and takes a sofa. He throws things around, takes girls for the night, dances in clubs at night, and, as it turned out, met with the wife of a close friend many years ago and still loves her.

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Swanberg is making a TV series about the problems that are going to be solved, and how flaws do not diminish our chances of being loved

Fifth story. A middle-aged author of graphic novels meets a young artist. The main problem of his life is that autobiographical stories of his authorship offend the people with whom he communicates.But the young acquaintance has a completely different attitude to privacy. Sixth story. The husband and wife begin to think that violent sex and the experiments of their youth are in the past, and they decide to try something new: register on Tinder as a couple looking for a girl for threesome sex. Choosing from several, they decide to invite the one they already know and trust. The seventh story. The actress in her 30s is breaking up with her boyfriend on Skype, learning to live completely independently and counting the days before auditioning in Los Angeles. Eighth story. The brewery from the third episode is back. The brothers 'illegal business has attracted the interest of a documentary filmmaker who wants to talk to the owners for a big interview - he does not yet know that big changes are brewing in the boys' families.

Joe Swanberg has shot more than 15 films, of which only a few are available to the general public: the rest settled in the competitions of American festivals and the encyclopedia of mumblecore - a genre where the main characters talk a lot and do little, mumble out of place, quarrel and try for days to cope with apathy and indecision. At one time, mumblecore was associated with the infantilization of millennials and the demographic crisis: here, they say, look at these insecure neurotics who can't really explain anything about themselves. Where can they enter into a relationship and, God forbid, start a family? How are they generally hired? What do they want in life?

Since the mid-2000s, American cinema has been talking about the protracted adolescence in different ways, ironically that procrastination and postponing decisions in important years are not equal to awareness in relation to oneself and others. But now, 15 years after the inception of mumblecore, it is obvious: if the directors and actors learned something in these exercises, it is to agree among themselves, to hear each other and not to measure all people by the same measure. The heroes of the movement grew up before our eyes and finally broke the impenetrable wall of selfishness and social phobia, overcoming the crisis of transitional and middle age at the same time.

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The main thing to know about Easy is that Swanberg's characters love. They love not shrilly and not pathetically, but tenderly and honestly: without strain, but with daily diligence to become better. They calmly accept change and do not hold on to relationships just because of the fear of loneliness. They love comfort, but worry about codependency and are aware of each other's boundaries. They think they’re talking and don’t want to hurt and hurt another by speaking out their feelings, as in successful cases from psychology textbooks. Joe Swanberg, a 35-year-old family man with two children who occasionally practices hiking and digital detox, is filming his growing up as well. In his opinion, the older you get, the less you want to take selfies and the more interesting it is to look at people around you.

Continuing the tradition of Eric Romer's films and his idea of ​​a "hero without heroic", Swanberg works according to the rules of spoken cinema: it has a lot of written text, but even more - improvisation and attention to acting expressiveness. In this world, the experience of an actor will never be belittled in relation to the greatness of the author's intention: "So I feel that not only the work comes out better, but we also have a better time." Easy was written in chunks, but heavily improvised from sketches. The defining condition of the director, who starred in the main and secondary roles for about a hundred people - from Orlando Bloom to Dave Franco, was that everyone should bring a daily hero into the situation and the hero on paper. That is why there are so many different ways of speaking, ages and bodies in the series, so many spontaneous smiles and general thoughts spoken aloud. So many platitudes that at times you feel like revelations.

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Moments of invisible choice interest Swanberg much more than the habits and lifestyle of his characters

Netflix plans to renew the series for a couple of seasons, but the director says in an interview that the ideal sequel is 15 years with different characters from the same city, which can be watched over time: how Richard Linklater watched the protagonist of "Boyhood". Swanberg has a lot in common with Linklater: in particular, how both work with their hometowns in films and influence local life - both Austin and Chicago have become a source of inspiration for non-Hollywood filmmakers. Swanberg's miniseries could have been called “Chicago, I Love You!” If it weren't for the antipode of caramel almanacs about a city where sugary endings come up to unnatural conflicts. A bit like Portlandia in its reflection on fashion and the trends of the times, it is much less frontal and not charged with sarcasm - moments of invisible choice interest Swanberg much more than the habits and lifestyle of his heroes.

"Easy" is lightweight, but also very specific. The authors perfectly understand what kind of world they are talking about - the world of money, frenzied capitalism, unlimited possibilities that dissipate like smoke in a very limited time. Playing with words, Swanberg calls the latest episode of the brewery "Hop Dreams" (hop is "hops"), drawing a parallel with the classic '90s documentary Hoop Dreams. It talked about ordinary teenage basketball players who dreamed of being on the star team of the Chicago Bulls. After 20 years, dreams have become much earthly - and one letter "O" dropped somewhere. I no longer want to conquer the planet, but no one is protected from difficulties either: the main challenge of today is in setting priorities.

In today's world, you still have to be torn between a few occupations, a career and a family. It is necessary to pay off loans and look for nannies for the child. In it, you can part on Skype and organize threesome sex through the application, but a simple mechanism does not help in any way to make the right decision. You can have an underground job for joy at the same time as an official job - to pay off debts. Living in America, speak to your wife in your native Spanish. Look for yourself in school and work and miss. Pick up a partner from evening to evening and fly to similar house parties. Have small currents that suddenly turn into big conversations - with each other or with yourself. Crying because of an unexpected pregnancy or having bad sex. And to find time and energy for all this.

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I would like to say about sex separately - in “Easy” a lot of screen time with body-positive intonation is devoted to it. Swanberg's men and women - of different ages and physiques - are organic and possess the beauty of ordinary people. They may have cellulite and bellies, armpit hair and unshaven pubes, but they are incredibly attractive - their liveliness and relaxation. They joke about vaginas and dicks in conversations with friends, and this does not cause discomfort to anyone. They like to touch each other, they much less often imitate orgasm than movie heroes 10 and 20 years ago, drink cheerfully, itch and worry about what to do with their knees during sex.

In the animated teaser "Easy," nipples turn into orange slices, an egg into scrambled eggs and bacon, a bicycle seat into an ass, and a pregnancy test into a wrench. Everything is connected and does not exist one without the other: in 2016, the conversation about the body becomes frank, and after the comedic heroes Apatow Swanberg easily rhymes the need for sex with the touching characters and a great sense of humor. The antithesis "sex - laughter" seems to have collapsed because they began to shoot about the body, discarding shame - and this is truly gratifying.

It is impossible to imagine that 20 years after Sex and the City, we live in such changed big cities and we have sex in such a different way. Remember the fears of the early 2000s about inconsistency with fictitious ideals - Swanberg and his peers clearly explain that ideals do not exist and the only thing that is really worth learning is to feel.Love and relationships in the modern world, as retelled by Swanberg, are really light and weightless: before our very eyes, the prosperous generation gets rid of parental neuroses about “how everyone else” and learns to live “as it feels”. “I want” instead of “must”, “love” instead of “must” as the cornerstone of happiness. Without hypocrisy and carefully, Swanberg's heroes speak out every fear and place warning signs along the way. To the touch, sincerely and with an open heart, the new generation builds love, trying not to make or make global promises. Dreams come true and do not come true - small goals and small happiness still do not happen.

Photos: Netflix

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